• West Coast Music

    As the name indicates West Coast Music has its origin on the American West Coast. The music emphasizes melody, harmonies and arrangements, and the vocal and instrumental performances are always with great skill and of high quality. The music is often performed by pop/rock artists from the American West Coast, but is in no way limited to any geografical area.

nash-and-crosby

In addition to solo careers and within the larger aggregate of Crosby, Stills, Nash & Young, the musical team of David Crosby and Graham Nash have performed and recorded regularly as a duo, mostly during the 1970s and the 2000s.

After the success of Déjà Vu and the subsequent break-up of the quartet in the summer of 1970, all four members of CSNY released solo albums. Crosby’s If I Could Only Remember My Name and Nash’s Songs for Beginners appeared in 1971 and missed the top ten. That autumn, the two good friends toured together as an acoustic duo to favorable reviews, one night from which would be released twenty-seven years later as Another Stoney Evening.

Consequently, in 1972 the two decided to record an album, resulting in Graham Nash David Crosby, which reached #4 on the Billboard 200, ensuring that the two were still a viable draw without the more successful Stills and Young. Further work together later in 1972 was precluded by Crosby’s participation in The Byrds’ reunion album recording sessions. In 1973, the pair joined Neil Young for the tour that would result in his Time Fades Away album, Crosby collaborated with electronica artist and Grateful Dead associate Ned Lagin, and Nash recorded a second solo album, Wild Tales. During this time, singularly and together they contributed backing vocals to various albums by associates in the California rock scene, including Stephen Stills, Harvest, Late for the Sky, and Court and Spark.

In 1974, both dutifully joined the Crosby, Stills, Nash & Young reunion tour and attempt at the recording of a new album in Hawaii, sessions for which had continued in fits and starts after commencing in late 1973. After failing to complete an album Crosby and Nash signed a contract with ABC Records. Presumably for contractual obligations to their old label, the cassette and 8-track tape versions of their ABC LPs were issued by Atlantic Recording activity yielded two albums in 1975 and 1976 respectively, Wind on the Water and Whistling Down the Wire. In that bicentennial year, Stephen Stills and Neil Young invited the duo to a recording session for their album Long May You Run. Crosby and Nash were forced to leave the recording session because they had time constraints to complete their second album for ABC Records, so Stills and Young wiped their vocals, releasing it as The Stills-Young Band. Crosby & Nash vowed not to work with either Stills or Young again, that oath lasting not even a year as they reconvened with Stills for the second Crosby Stills & Nash album in 1977.

ABC released four albums by Crosby & Nash prior to its being bought by the MCA conglomerate in 1979. In addition to the two abovementioned studio albums, the concert document Crosby-Nash Live appeared in 1977, with a compilation The Best of Crosby & Nash in 1978.

All four albums featured their backing band The Mighty Jitters, consisting of Craig Doerge, Tim Drummond, Danny Kortchmar, Russ Kunkel, and David Lindley. Session bassist Leland Sklar alternated with Drummond in the studio, and the line-up of Doerge, Kortchmar, Kunkel, and Sklar had previously recorded as The Section, providing the back up for the first Crosby & Nash album on Atlantic. Depending upon availability of the various members, the twosome would either tour as a full-blown electric-based aggregation or in a semi-acoustic format with Doerge and Lindley.

When CSN reunited on a more or less permanent basis in 1977, Doerge followed the group to Miami for the CSN sessions, contributing to several songs and collaborating on writing the song “Shadow Captain” with Crosby. Crosby and Doerge continued to collaborate regularly until the early 1990s.

In 1979, Crosby & Nash attempted a new album for Capitol Records, but sessions were dampened by Crosby’s increased dependence upon freebase cocaine. Sessions eventually appeared on Nash’s Earth & Sky without any songs from Crosby.

Crosby’s problems during the 1980s with drugs, and his prison time, precluded any duo activity with Nash, the pair appearing on the CSN and CSNY albums of that decade. The 1990 CSN album Live It Up started as a Crosby & Nash record, but like its predecessor Daylight Again which was initially sessions for a Stills & Nash effort, Atlantic Records refused to release anything that didn’t include the full trio.

In 2004, Crosby & Nash released their first original studio record since 1976 with the double-album Crosby & Nash on Sanctuary Records, which featured backing mostly by members of Crosby’s band CPR. A single CD version was released in 2006 when CSNY began its “Freedom of Speech ’06” tour. On the Graham Nash box set Reflections, released in February 2009, the last track “In Your Name” was recorded on 21 October 2007 by the same band used for the 2004 Crosby & Nash album, including David Crosby on backing vocals.

Selected Discography

Crosby & Nash

Santuary Records 2004

Tracks: Disc 1: Lay Me Down, Puppeteer, Through Here Quite Often, Grace, Jesus Of Rio, I Surrender, Luck Dragon, On The Other Side Of Town, Half Your Angels, They Want It All & How Does It Shine? Disc 2: Don’t Dig Here, Milky Way Tonight, Charlie, Penguin In A Palm Tree, Michael (Hedges Here), Samurai, Shining On Your Dreams, Live On (The Wall) & My Country ‘Tis Of Thee.

Musicians on the Crosby & Nash album: David Crosby, Graham Nash, Russ Kunkel, Leland Sklar, Dean Parks, Jeff Pevar, Dan Dugmore, Steve Farris, Matt Rollings, James Raymond, Luis Conte, Arnold McCuller, Kate Markovitz & Windy Wagner.

Live

Polydor Records 1977

Tracks: Immigration Man, Lee Shore, I Used To Be A King, King Of The Mountain, Page 43, Fieldworker, Simple Man, Foolish Man, Bittersweet, Mama Lion & Déjà Vu.

Musicians on the Live album: David Crosby, Graham Nash, Laura Allan, Craig Doerge, Tim Drummond, David Lindley, Danny Kortchmar & Russ Kunkel.

Whistling Down The Wire

Polydor Records 1976

Tracks: Spotlight 2 – Broken Bird 3 – Time After Time 4 – Dancer 5 – Mutiny 6 – J.B.’s Blues 7 – Marguerita 8 – Taken At All 9 – Foolish Man 10 – Out Of The Darkness.

Musicians on the Whistling Down The Wire album: David Crosby, Graham Nash, Laura Allen, Craig Doerge, Tim Drummond, Lee Holdridge, David Lindley, Ben Keith, Carole King, Danny Kortchmar, Russ Kunkel, Sid Sharp, Lee Sklar, Stan Szelest & James Taylor.

Wind On The Water

Polydor Records 1975

Musicians on the Wind On The Water album: David Crosby, Graham Nash, Levon Helm, Russ Kunkel, Tim Drummond, Leland Sklar, Joel Bernstein, Ben Keith, Danny Kortchmar, David Lindley, Craig Doerge, Carole King, Stan Szelest, Jackson Browne, Carole King & James Taylor.

Tracks: Carry Me, Mama Lion, Bittersweet, Take The Money And Run, Naked In The Rain, Love Work Out, Low Down Payment, Cowboy Of Dreams, Homeward through the haze, Fieldworker & To The Last Whale: a) Critical Mass b) Wind On The Water.

Graham Nash – David Crosby

Atlantic Records 1972

Tracks: Southbound Train, Whole Cloth, Blacknotes, Strangers Room, Where Will I Be?, Page, Frozen Smiles, Games, Girl To Be On My Mind, The Wall Song & Immigration Man.

Musicians on the Graham Nash – David Crosby album: Graham Nash, David Crosby, Russ Kunkel, Johnny Barbata, Billy Kreutzman, Leland Sklar, Greg Reeves, Phil Lesh, Chris Ethridge, Danny Kortchmar, David Mason, Jerry Garcia, Craig Doerge, David Duke, Arthur Maebe & George Price.

Previous

Comments are closed.

  • About Us

    Good music enriches your life. At BLUE DESERT we are passionate about this particular yet wide-ranging style of music we call West Coast Music. This site is a modest tribute to the music and the performing artists, who through the (many) years have given us – and continue to give us – endless hours of musical enjoyment.

    As long-time fans we want to share our enthusiasm, experiences and views with fellow connoisseurs as well as curious newcomers. If we can do our bit to help promote this great music and all the gifted artist – well, then we have succeeded.

    Feel The Spirit
    Enjoy The Music!

  • Blue Desert Newsletter